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8 January 1836 – 25 June 1912. Most renowned painters.

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Simone Cantarini,Called Il Pesarese
Rest on the Flight into Egypt (mk05)

ID: 20462

Simone Cantarini,Called Il Pesarese Rest on the Flight into Egypt (mk05)
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Simone Cantarini,Called Il Pesarese Rest on the Flight into Egypt (mk05)


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Simone Cantarini,Called Il Pesarese

Pesaro 1612-Bologna 1648  Related Paintings of Simone Cantarini,Called Il Pesarese :. | Human Pardon. The Hundert Unprententious Sketches to Cher Honest Pople | Robert,Comte de montesquiouiou-Fezensac | Melbourne | Moat Mt from Jackson NH | The Baptism of Christ 02 |
Related Artists:
Gioacchino Assereto
(1600 - 28 June 1649) was an Italian painter of the early Baroque period, active in Genoa. Gioacchino Assereto, David with the Head of Goliath.He initially apprenticed with Luciano Borzone and later Giovanni Andrea Ansaldo. He painted two vault frescoes in the church of Santissima Annunziata del Vastato: David and Abimelech and Santi Giovanni and Pietro healing the lame. He also shows the influence of Bernardo Strozzi, a tenebrism moderated by venetian coloristic effects and garbing the subjects in modern peasant garb, in paintings such as Moses obtaining water from the Rock (Prado Museum, Madrid). Orazio dee Ferrari may have worked with Assereto in Ansaldoes studio. Paintings by Gioacchino Assereto can also be seen at the Detroit Institute of Art and the Museum of Fine Arts in Budapest,Hungary.
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
Charles Muller
[French Academic Painter, 1815-1892






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